Description: The Palestinians have been at the center of Middle Eastern and world history for nearly a century. The core issues of the Palestinian-Israeli conflict are still the ones that emerged in 1948, after what Palestinians term al-Nakba, the destruction of historical Palestine and the dispossession and expulsion of its people. At the center of this vortex of politics, diplomacy, oppression, resistance, and struggle are the Palestinians. The Palestinians are an ancient Arab people, with both Islamic and Christian adherents, and their traditional culture and present way of life under difficult conditions are greatly illuminated for students and general readers.
A clear historical overview of Palestine, the diaspora, and the conflict is provided, and the history colors the rest of the narrative, addressing crucial aspects of Palestinian society. Palestinians struggle to retain their traditions. Their modern social structure, values, social customs, and life, including education, in villages, refugee camps, and cities are covered. The importance of extended family and women’s roles in a continuing patriarchy are also addressed. The famed Palestinian embroidery and typical food dishes are celebrated. Chapters on modern literature and the arts and cinema stress the artistic focus on the conflict with Israel. A helpful timeline, copious bibliography, and glossary round out the coverage.
Description: The present photobook uses a new approach to the explanation of the Palestine/Israel conflict. By reading over more than 200 photographs, Ariella Azoulay recounts the four crucial years that determine the history of this conflict till today. She analyses the photos as historical documents and presents them in a way to write and interpret history anew. With this presentation she created a civil archive “which makes it possible to view the catastrophe they recorded”. Years of research made it clear “that the occupation is part of the Israeli political regime, and that reconstructing its schema should start in 1948”. Indirectly, this statement repudiates the argument put forward by the Zionist left that Israel went wrong after it occupied the rest of Palestine in the June war of 1967. This photobook proves through pictures that the cause of the conflict is based on the forceful expulsion of the indigenous owners of the Land of Palestine by the Zionist forces.
Ariella Azoulay teaches political philosophy and visual studies. She directs the Photo-Lexic project at the Minerva Humanities Centre at Tel Aviv University. She has written several books; her latest “Civil Imagination: Political Ontology of Photography” was just published. In 2002, she won the Infinity Award for Writing, presented by the International Center of Photography for excellence in the field of photography.
This book traces the constituent violence carried out by the Zionist military and political leadership. The transformation of Palestine into the State of Israel was not achieved during an unavoidable war between the two peoples, “but by the exercise of systematic and planned violence to create a clear Jewish majority that would correspond to and justify the formation of a Jewish state and the Jewification of the state organs. This violence was called the `War of Liberation`.” The author makes clear that the term “War of Liberation” is a misnomer. Why did the Zionists wanted to `”liberate” a territory from the British, the Palestinians or the Arab states? The terminology “liberation” or “independence” implies a decolonization project, liberation from a foreign power, in a manner that camouflaged the colonization of Palestine by the State of Israel, the author writes. None of these reasons existed in Palestine.
In seven chapters, the photos show a process of the newly established state that destroyed Palestinian society by killing, dividing, expropriating, expelling and preventing those expelled from returning. In order to pretend a democratic façade, the Israelis had to transform the catastrophe imposed on the Palestinians into a non-catastrophe, into what Azoulay calls the “catastrophe from their point of view” – “their”, of course, referring to the Palestinians. The author sets the Zionist narrative, beginning with the dream of return to Zion and ending with the establishment of the State of Israel, and the Arab one, which situates the Nakba as the constitutive event of Palestinian existence and identity, aside. Instead of sticking to the drawing line between Jews and Arabs, Azoulay tries to understand its institutionalization as a central ruling principle of the Jewish state. She presents the catastrophe from a civil perspective and does not present it as an outcome of war that preceded “the creation of the Israeli regime, but as a component and as a product of that regime”.
The photos show that expulsion of the population and the destruction of their homes was done in an organized and well-planned manner. The Zionist myth that all happened in the cause of war lies beside the truth. From its inception, the Israeli government eliminated every possibility of civil life, according to the author. The government did everything that the civil disaster which occurred in Palestine appeared as a “natural phenomenon” or a “necessary evil”. To the detriment of Zionist mythology, the photos tell a different story. Perhaps this photobook is more convincing than thousands of history books because it allows the readers to visually participate in the great injustice that was inflicted upon the Palestinian people by a movement that views itself as a “liberation movement” for Jews but was in fact just a mere colonial one for the Palestinians. This extraordinary set of photographs reawakens not only the disappearance of a country but also the invisibility of its real inhabitants. Impressive!
Description: This book brings together an inter-disciplinary group of Palestinian, Israeli, American, British and Irish scholars who theorize “the question of Palestine.” Critically committed to supporting the Palestinian quest for self determination, they present new theoretical ways of thinking about Palestine. These include the “Palestinization” of ethnic and racial conflicts, the theorization of Palestine as camp, ghetto and prison, the tourist/activist gaze, the role of gendered resistance, the centrality of the memory of the 1948 Nakba (catastrophe) to the contemporary understanding of the conflict, and the historic roots of the contemporary discourse on Palestine.
Description: Even before he wrote his bestselling book The Ethnic Cleansing of Palestine, historian Ilan Pappe was a controversial figure in Israel. In Out of the Frame, he gives a full account of his break with conventional Israeli scholarship and its consequences.Growing up in a conventional Israeli community influenced by the utopian visions of Theodor Herzl, Pappe was barely aware of the Nakbah in his high school years. Here he traces his journey of discovery from the whispers of Palestinian classmates to his realisation that the ‘enemy’s’ narrative of the events of 1948 was correct. After producing his phD at Oxford university based on recently declassified documents in the early 1980s he returned to Palestine determined to protect the memory of the Nakbah and struggle for the rectification of its evils. For the first time he gives the details of the formidable opposition he faced in Israel, including death threats fed by the media, denunciations by the Knesset and calls for him to be sacked from his post at Haifa university.This revealing work, written with dignity and humour, highlights Israel’s difficulty in facing up to its past and forging a peaceful, inclusive future in Palestine.